Points of Contact (2026) is an installation created from paper and water. The starting point for the work were plaster casts of the feet of women from my family, which I made over the past two years. I chose this part of the body because of its intimate and deeply personal character — it can evoke both closeness and freedom at the same time.

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I then pressed soaked sheets of paper onto the casts, creating delicate paper imprints — shell-like forms of feet — which were arranged into various configurations, eventually forming a carpet-like structure.

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The work attempts to visualize the intergenerational point of contact between the body and the ground — a moment in which, regardless of the passage of time and the changes occurring both around us and within us, a direct connection with reality is established. This reality reveals itself in a tangible and immediate way — through the trace that is left behind.